Lee Rockey

Sep.27, 2012


 

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6 months or so after we moved  to Portland in 1975, we heard about this Event at the  Portland Art museum .  Nothing could have prepared us for what was unfolding , wild Drums, Electric violin and cello played through a Echoplex A 4 channel tapedeck was playing prerecorded Electronic scronks, wood flutes, and off speed voices. Dancers were holding video cameras run thru a Paik video Synth. making a live projection. The music was ,crazed,scary,funny and beautiful.  Behind all this was Lee Rockey (1926-2002). this was his second, and last of his full blown personal/art/world performances. I was luckey enuff to see him play his last (paying) gig on drums a few months later  with     Kennith Rexroth’s” Poetry and Jazz” at the same place.

6 months or so after we moved  to Portland in 1975, we heard about this Event at the  Portland Art museum .  Nothing could have prepared us for what was unfolding , wild Drums, Electric violin and cello played through a Echoplex A 4 channel tapedeck was playing prerecorded Electronic scronks, wood flutes, and off speed voices. Dancers were holding video cameras run thru a Paik video Synth. making a live projection. The music was ,crazed,scary,funny and beautiful.  Behind all this was Lee Rockey (1926-2002). this was his second, and last of his full blown personal/art/world performances. I was luckey enuff to see him play his last (paying) gig on drums a few months later  with     Kennith Rexroth’s” Poetry and Jazz” at the same place.

Lee Rockey was a hard-swinging Jazz drummer {of the Gene Krupa style} who had mastered the modern style by 1946 . A hipster back when it meant something, he wore a zoot sute with a reet pleat and spoke “jive” . while in town he would back up traveling “jump” acts as The Treineirs, or play modern jazz with his pals originally called the Vancouver wiz kids. Moved to NYC in 1953 Joined Neil Hefty { a very undedrated bandleader who had just  written great arrangements for Count Basie that sent his carer back to the top}.  then was on Herby Mann’s first 10″ lp {a great cool jazz classic with AL JAZZBO COLLINS  orig. THEME  MUSIC  the purple grotto).  lived the life for a few years ,then came back to portland to stay. He continued playing with the best musicians in Portland  and was part of the legendary Way Out  Club Band in 1963.

Then everything changed,   America’s classy adult Jazz  was lost on the next generation .   Lee  gave up playing Jazz , like many of his generation, {miles ect.} he was a relentless searcher that NEVER LOOKED BACK. possibaly inspired by ornette Coleman took  up electric violin .  Homemade electronics free drumming bells flutes piano all melted together as he channelled Debussy, bartok  and new sounds to create his own soundworld


Untitled

Jul.03, 1990

(1990's)

(1990’s)untitled (1990's)

(1990"s)

(1990″s)

 


Early LEE (photo’s)

Jul.04, 1950

Lee (left) and pal

Lee (left) and pal

Live in Porland 1960's

Live in Porland 1960’s

Swinging for the dancers Portland 1950's

Swinging for the dancers Portland 1950’s

Reet Pleet  early 1950's

Reet Pleet early 1950’s